Control-S - meaning and definition. What is Control-S
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What (who) is Control-S - definition

ANALOG METHOD OF CONTROLLING SYNTHESIZERS, DRUM MACHINES AND OTHER SIMILAR EQUIPMENT WITH EXTERNAL SEQUENCERS
Control Voltage/Gate; Control voltage; V-trigger/s-trigger; Control Voltage; CV/Gate
  • Korg ARP ]] analogue synthesiser

control-S      
<character> (Or XOFF, DC3, Device Control 3) The character with ASCII code 19, used in software handshaking to temporarily suspend output until a control-Q is received. [Jargon File] (1996-06-28)
Tobacco Control (journal)         
SCIENTIFIC JOURNAL
Tob. Control; Tob Control
Tobacco Control is an international peer-reviewed journal covering the nature and consequences of tobacco use worldwide; tobacco's effects on population health, the economy, the environment, and society; efforts to prevent and control the global tobacco epidemic through population-level education and policy changes; the ethical dimensions of tobacco control policies; and the activities of the tobacco industry and its allies.
Internal control         
PROCESS OR SYSTEM USED BY AN ORGANIZATION TO MANAGE RISK AND DIMINISH THE OCCURRENCE OF FRAUD
Internal Control; Internal control procedure; Business control; Internal controls; Financial control; Internal check
Internal control, as defined by accounting and auditing, is a process for assuring of an organization's objectives in operational effectiveness and efficiency, reliable financial reporting, and compliance with laws, regulations and policies. A broad concept, internal control involves everything that controls risks to an organization.

Wikipedia

CV/gate

CV/gate (an abbreviation of control voltage/gate) is an analog method of controlling synthesizers, drum machines, and similar equipment with external sequencers. The control voltage typically controls pitch and the gate signal controls note on-off.

This method was widely used in the epoch of analog modular synthesizers and CV/Gate music sequencers, since the introduction of the Roland MC-8 Microcomposer in 1977 through to the 1980s, when it was eventually superseded by the MIDI protocol (introduced in 1983), which is more feature-rich, easier to configure reliably, and more readily supports polyphony. The advent of digital synthesizers also made it possible to store and retrieve voice "patches" – eliminating patch cables and (for the most part) control voltages. However, numerous companies – including Doepfer, who designed a modular system for Kraftwerk in 1992, Buchla, MOTM, Analogue Systems, and others continue to manufacture modular synthesizers that are increasingly popular and rely primarily on analog CV/gate signals for communication. Additionally, some recent non-modular synthesizers (such as the Alesis Andromeda) and many effects devices (including the Moogerfooger pedals by Moog as well as many guitar oriented devices) include CV/gate connectivity. Many modern studios use a hybrid of MIDI and CV/gate to allow synchronization of older and newer equipment.